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Just a lonely road with too many dead ends. For the most part, there were no clear answers or pathways to walk on. The constant tussle between comforting people and telling them the truth was one that the authorities faced while braving the pandemic. What we saw in the books and on-screen was a depiction of the varied forms in which we saw realities unfold around us during the pandemic. The wizard magazine, The Quibbler (which Luna Lovegood was always found reading) was a source of all things odd, including the truth. There was resistance, however, in the form of radio and other forms of correspondence. The popular wizard daily, The Daily Prophet, as Rita Skeeter (that nosy journalist) had put it best, existed to sell. Ministry of Magic was afraid of accepting that the Dark Lord was back. Read more: The F16s raise COVID-19 funds with a new single It also needs to appease the ones who put in the money to keep the presses (and clouds) running. It has to ensure a steady supply of hope, despite having the skills to look beyond the facade. Telling people the truth can be a tricky business - the media has to time and again pull up good stories and share acceptable narratives. The role played by media in the dissemination of doom is one that must be looked at with scrutiny.

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People feared for their mortality and their lives as they knew it - in the Potter series and as the realities of the pandemic began to surface.

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The administration was left in a lurch and was clueless on how to curb the impact of the virus.Īt the core of it all, was fear.

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Despite warnings, people chose to break free from time to time. People were scared of the virus and it wasn’t so much about disbelief, but a lot about the idea of accepting that their lives were going to be altered in ways no one could predict. Much of it, if not all, has happened around the globe with respect to the recent pandemic.

Read more: Shantanu Pandit talks about his debut album Milk Teeth All because fear was driving the train with no halt at the rationale station. The time lag made uncertainties grow multifold and the consequences were worse. Their credibility was questioned and there was mud-slung by those in power, aplenty. However, what they were proposing was so grim that no one wanted to accept it. The Order Of The Phoenix had to begin holding meetings in secrecy, and work on convincing others about the return of Voldemort. No one wanted to believe that Voldemort had returned, even when evidence was staring them in the face. The uncertainty and lack of stability and trust have been pretty similar to how the characters in Harry Potter felt when news of The Dark Lord Voldemort coming back was revealed in the fifth part of the series. With the pandemic taking over our day-to-day lives, the last (almost) two years have been as unprecedented as they could be. However, as culture critic Hannah Giorgis noted in an essay in The Atlantic, no controversy has been enough to tarnish Hill's legacy: 'She is perhaps the only female artist whose accomplishments - in this case, the creation of Miseducation - have granted her access to a title most often assigned to men: genius.“It is the unknown we fear when we look upon death and darkness, nothing more”, is a famous line by Albus Dumbledore from Harry Potter and the Half-Blood Prince. Her later career is marked by controversies, including her penchant for showing up to live-shows hours late.

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In the 2020 update of their 500 Greatest Albums of All Time list, Rolling Stone ranked the album in the #10 spot, and wrote of its legacy, 'At a time when pop was becoming increasingly slick and digitized in the go-go Nineties, here was an album that showed the commercial appeal of a rawer sound.'ĭespite all the acclaim and commercial success, to date, The Miseducation of Lauryn Hill is both the musician's first and last solo studio album.

The album is remembered not just for its complex personal and political lyricism and Hill's skilled vocal deliveries, but also its effortlessly eclectic sound.